Construction of Meaning & Structure in a Text

Image result for pictures of writing in a book

This Resource is for students studying the Victorian VCE Curriculum.  For Year 11 and 12 Mainstream English students studying AOS1 Reading and Creating Texts as well as Reading and Comparing Texts it is important to write in your essays how the author constructs meaning and structure in a text.

HOW the Author Constructs Meaning and Structure in a Text

When reading texts to construct meaning, readers increase their understanding by recognising the craftsmanship of the writing and the choices the author made to portray the topic in a certain way.  Readers go beyond the literal [factual] meaning of the words to find significant and unstated meanings and authors rely on their reader’s ability to do so.  The reader’s mind then pieces together evidence to make sense of the text as a whole.

Essentially the reader needs to find out in the texts how the author:

  1. Sees something: their views ie. his/her opinion, perspective, way of thinking, impression or observation.
  2. Thinks about something: their values ie. his/her principles, morals, ethics or standards.
  3. Ways the author uses to construct the text:
  •      Type of text
  •      Setting
  •      Style of writing & language
  •      Narrative structure & plot
  •      Social/historical context
  •      Characters & their relationships
  •      Themes/issues/values
  •      Symbolism & imagery

WHY the author writes his text is his Purpose or Agenda

Depending on the purpose, authors may choose all different sorts of writing formats, genres and vernacular [language].  There are 3 main categories of author’s purpose:

  1. To Persuade = the author’s goal is to convince the reader to agree with the author.
  2. To Inform = the author’s goal is to enlighten the reader about real world topics and provide facts on those topics.
  3. To Entertain = authors write to entertain with a goal of telling a story.

Also consider the Big Picture behind Why the author wrote his/her story.

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Ways into Comparative Texts ‘The Penelopiad’ and ‘Photograph 51’

Photograph 51 By Anna Ziegler

For Years 11 & 12 students in the Victorian Curriculum studying AOS1: Units 2 & 4 Reading and Comparing Texts with the pairing of Margaret Atwood’s The Penelopiad and Anna Zielger’s Photograph 51 

Task Requirements for Units 2 & 4

The SAC task for Units 2 & 4 is to write an essay comparing two texts (1000 words in length).  Students must write an essay analysing the ways in which the two texts present ideas, issues and themes with similarities and differences chosen by the authors to convey particular perspectives.

Comparative Text Essay Structure to Follow

  1. Introduction = Main Contention & Message of Author/Director
  2. Body Paragraph 1 = Cause/Accept Prompt / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  3. Body Paragraph 2 = Response/Develop Prompt Further / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  4. Body Paragraph 3 = Consequences / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  5. Conclusion = Sum up briefly / Message of Author/Director

Why Compare The Penelopiad and Photograph 51?

Both Anna Ziegler’s Photograph 51 and Margaret Atwood’s The Penelopiad place a great value on the power of story and the importance of a woman’s perspective.  This is suggested by the lack of truth and visibility that have tended to omit women and their achievements from the books.  Ziegler’s play has sparked great interest in how and why important women have been forgotten or not celebrated, leading to settling for half-truths.  Atwood’s novella turns literary tradition on its head and empowers the usually silenced maids and long-suffering wife, Penelope.  Both texts lead the reader/audience to appreciate and question what the real truth really is, especially when everything has come from a male-dominant society.  These texts also challenge us to look at contemporary society and assess the current reality for women – is gender still a barrier? How? When? Why?  Both texts encourage us to examine and question everything we are told, to check for bias, distortion and deception.  Many more people in our society have realized that the truth is very subjective and stories have often been told to us from the perspective of the powerful.  There has been a greater emphasis placed on redressing this imbalance and presenting the voices of those who have been marginalised and/or forgotten.

Values of Atwood and Ziegler

Understanding the values embodied in the texts is important as authors use what they obtain from society, history and culture to influence their beliefs and opinions.  Both Atwood and Ziegler explore widespread misogyny [ingrained prejudice against women] and the ways in which women deal with such an environment. Make sure that your essay contains the ‘Message of Author’ for both texts.

Contemporary Feminist Viewpoint

Both authors have brought a contemporary feminist viewpoint to the task of re-framing narratives they consider misogynist.  Ziegler retells the history of the discovery of the structure of DNA to show it was a female scientist (Rosalind Franklin) whose work was central to winning the DNA scientific race.  Atwood retells a mythological story to give voices to Penelope and the poor marginalised maids.

Both texts interrogate the ways that women’s lives have been historically sidelined and their experiences ignored or dismissed in the past.  Both texts explore the idea that truth is not a fixed entity and that it changes depending on whose lens the events are viewed through.

Texts set in Different Eras

Atwood’s novella and Ziegler’s play are set in different eras, yet readers and audiences recognise the treatment and social expectations of women, gender relations, power and powerlessness, ambition and rivalry and the power of storytelling, that is still relevant today.  As contemporary writers they have crafted their narratives offering multiple perspectives by giving voice to those who have been previously silenced and power to the dis-empowered.

The Importance of the Maids’ Tales in The Penelopiad

Think about why Atwood uses Penelope’s story to tell another story within it (the story of the hanged maids).  Like a true sleuth Atwood explores and expands Homer’s text by giving her readers much more than just the masculine heroics of ‘The Odyssey’. She questions the subversive stories of ‘those naughty little jades” and through their songs and burlesque dramas Atwood speculates on what led to the hanging of the maids and what was Penelope really up to.

The maids haunt the narrative from beginning to end, undercutting Penelope’s confession, blaming her for their death and accusing her of repeated infidelities with the Suitors.  They maintain she connived in their hanging because they knew too much.  The maids refuse to be silenced thus transforming the novella into a polyphonic narrative where their dissident voices counter the authenticity of Penelope’s confession. In the end its the maids voices and not Penelope who have the last word.  They manage to defame the Homer monument to male heroism and female fidelity.

Consider this  – Is the hanging of the maids the main motive for Penelope’s narrative?

The Epigraphs in Photograph 51 – What do they mean?

The first Epigraph is from Ann Patchett’s novel ‘Run’  “Certain things exist outside of time.  It was ten years ago, it was this morning … It happened in the past and it was always happening”.  This suggests that the concept of time and memory are central in Photograph 51.  Time in the play seems elastic with the audience watching the characters in the present but knowing the events surrounding the discovery of the structure of DNA occurred in the 1950’s.  In effect time does not alter the past but can change how the past is seen.  Ziegler’s characters possess varying recollections of key events and the idea that memory is fallible.  “Wasn’t it the girl, after all, who had actually found the key to life?” makes us ask if the men who won the Nobel Prize for DNA even thought of Rosalind Franklin?

The second Epigraph is from Horace Judson’s ‘The Eighth Day of Creation’ “As scientists understand very well, personality has always been an inseparable part of their styles of inquiry”.  The troubled relationship between Rosalind and Wilkins provides a framework to the story of Photograph 51.  Rosalind’s abrupt, contradictory personality, along with her determination to work on her own, affects the working environment at Kings College.  Moreover, first impressions of Wilkins reveal him as sexist, assuming Rosalind will be his ‘assistant’ in ‘the study of the Signer DNA’.  Her response is to tell him clearly “Dr Wilkins, I will not be anyone’s assistant”.

Both The Penelopiad and Photograph 51 explore ideas about:

  1. Power in its various forms, including patriarchal power, power by possessing physical attractiveness, belonging to a particular race or class and supernatural power.
  2. Identity and its connections with physical appearance, self-perception and the expectations of others.
  3. Women’s roles/gender are shown in differing representations of the feminine in various types of characters, including maternal figures, wives, older women, young women and career women and the difficulties of being a woman in both ancient and modern times.
  4. Storytelling and the power of narrative is demonstrated in particular the liberating power of taking control of one’s own story in The Penelopiad for Penelope’s ability to spin her own ‘thread’. However, Rosalind in Photograph 51 who is isolated and vilified, is unable to take control of her narrative.
  5. Truth and Lies is shown as Atwood poses probable deceit by Odysseus as well as Penelope who told clever lies to manipulate others to get what they wanted or just simply to survive. Ziegler’s play suggests that it does matter who found the answer to DNA with Wilkin’s tacit approval of Crick and Watson’s use of Rosalind’s research data is shown in his comment that it doesn’t matter who found the answer.
  6. Personal Challenge by Penelope who must deal with her past trauma, her reserved personality and learning to manage her innate mistrust of others. Rosalind’s personal challenge was to be “always right” and this drove her to become a scientist who paid meticulous attention to detail.
  7. Responsibility for the maids’ death in The Penelopiad is unsure if Odysseus feels responsible but Atwood indicates that Penelope is “haunted” by their death and of her great affection for them. In Photograph 51 the responsibility, ethics and values of Wilkins, Watson and Crick in not acknowledging Rosalind’s research work is questioned and taking the acclaimed discovery of DNA for themselves with no apparent accountability.

Other Ideas, Issues and Themes to Consider

There are other ideas, issues and themes that you could consider such as life & death / performance elements / fulfilment / rumour & gossip / discovery / independence / humour / objectification of women / double standards & hypocrisy / disillusionment / loneliness and injustice.

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Reading & Comparing Texts

This Resource is for Mainstream English students studying in the Victorian Curriculum in Years 11 & 12 for AOS 1 Reading and Comparing Texts.

Scope of the Task

In this area of study students explore the meaningful connections between two texts.  They analyse texts, including the interplay between character and setting, voice and structure, and how ideas, issues and themes are conveyed.  By comparing the texts, they gain a deeper understanding of the ideas, issues and themes that reflect the world and human experiences.

Students produce a written analysis comparing selected texts, discussing important similarities and differences and exploring how the texts deal with similar or related ideas, issues or themes from different perspectives to reflect particular values.  

60 marks are allocated to this task with a suggested essay of up to 1000 words

What is the best structure for the Comparative Essay?

Before Writing the Essay

  • Read the prompt question carefully
  • Use your Dictionary to define strategic words in the prompt
  • If there is a quote or 2 quotes in the prompt work out who said it and in what context – you must refer to the quote/s in one of your body paragraphs and explain its relevance
  • Understand what the prompt question is asking you – is it Discuss / To what extent? / Do you Agree?
  • Never use 1st person (I agree) always write from the viewpoint of the Author/Text = The author endorses the view that / The text supports the view that / These characters reflect the author’s view that

Comparative Text Essay Structure using TEEL

  1. Introduction = Main Contention & Message of Author/Director
  2. Body Paragraph 1 = Cause/Accept Prompt / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  3. Body Paragraph 2 = Response/Develop Prompt Further / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  4. Body Paragraph 3 = Consequences / Topic Sentence / Text 1 Evidence & Explanations / Transitional Sentence from Text 1 to Text 2 / Text 2 Evidence & Explanations / Link back to topic
  5. Conclusion = Sum up briefly / Message of Author/Director

What is a ‘Transitional Sentence’ between Text 1 & Text 2 in Body Paragraphs?

Using the comparative texts of ‘The Penelopiad’ by Margaret Atwood and ‘Photograph 51’ by Anna Ziegler as an example, look carefully at the way the paragraph is constructed with a ‘transitional sentence’ that explains the similarity or difference between the two texts and enables a smooth transition from text 1 to text 2. This paragraph is a very brief example only and should be developed further with more evidence and explanations if students are writing this as a comparative essay.

Sample Brief Body Para 1 = Main Contention = Both Penelope and Rosalind’s subjugation result from a discriminatory patriarchal mentality

Transitional sentence is colour coded in Red Text

(Topic Sentence) The subjugation of women in The Penelopaid and Photograph 51 is caused by a discriminatory patriarchal mentality.  (Text 1) When Penelope is 15, Icarius hands her over “like a package of meat” to Odysseus.  Although he behaves as if he reciprocates her love, Odysseus also terrifies her by threatening to cut her “into little pieces” if she is unfaithful.  This illustrates the power of men in ancient Greece to intimidate women into succumbing to their control.  (Transitional sentence) While Penelope is threatened by violence and physical danger, Rosalind is exposed to more psychological forms of intimidation.  (Text 2) Rosalind is barred from the “men only” common room where “scientific discoveries are made over lunch”.  Furthermore, she is called “Miss” instead of “Dr Franklin” by her male colleagues which is intentionally belittling.  The repeated word “beat” in the stage directions also signals the continual awkwardness and tension as Rosalind refuses to stay silent and submissive.  (Link Sentence Back to Topic) While the patriarchy prevents Rosalind from attaining her “rightful place in history”, it does not render her entirely voiceless until the afterlife like Penelope.

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Tracks and Into the Wild: The Basics

This Resource is for students studying Comparative Texts AOS1 Unit 2 Year 11 in the Victorian Mainstream English Curriculum

Introduction

At first, the protagonists of Into the Wild and Tracks appear to have a certain amount in common.  Both Chris McCandless and Robyn Davidson are young, idealistic, well-educated products of white, middle-class backgrounds.  Their journeys are, in part, the result of belonging to an affluent generation that knows little of fear or deprivation.  Both undertake significant journeys that involve challenge and hardship in their yearning for freedom.  They each define this as escaping the expectations and limitations imposed on them by a materialistic society and they aim for an existence that is pared down to its essence, unencumbered by possessions or people.  Hence Chris is drawn to the remote wilderness of Alaska and Robyn to the isolation of the Australian outback.

Robyn and Chris have Different Perspectives

There are other factors that influence an individual’s thinking that shape their attitudes, perspectives and values.  While Chris and Robyn have family trauma in common, the McCandless family is scarred by domestic violence and the Davidson family by suicide of Robyn’s mother.  However, both Chris and Robyn respond to these traumas in different ways and their responses shape their perspectives on family and feed into their motivation to travel.  Chris’s journey is essentially reactive, his primary agenda seems to be to escape from his parents and the lifestyle they represent.  He refuses to contact them, leaving them to despair and finally to grieve not knowing his whereabouts.  In contrast, the tragedy in the Davidson family draws the family closer together with Robyn valuing the bonds with her family and in her challenge of walking with camels across the Australian desert, she has the support and endorsement of her family.

Film and Memoir

Films work largely with visual language and contains common elements to all narrative texts, such as characters and a plot, however, there are also specific features to films such as cinematography, mise en scene, editing and sound that help to create meaning and present the underlying concerns of the film.

On the other hand, a written text relies on words in order to tell its story.  Robyn Davidson’s memoir Tracks is written by her and tells her own story in her own words.  Nevertheless, authors make choices about how they select, represent and order material and these choices position readers to respond in particular ways.  Robyn uses words to paint lyrical descriptions of the Australian landscape, conveying the beauty of the desert and its extraordinary colours.

One of the biggest differences with the film Into the Wild is that the viewers are limited by the Director Sean Penn’s interpretation and decisions about voice, structure and emphasis.  Penn has to rely on secondary sources, McCandless’ writings, testimonies and interviews of people who knew him, so that Chris McCandless’ story is filtered through Penn’s own artistic perspective.  The natural world is depicted in the landscapes that is predominated by the camera which shows us the beauty that attracted Chris to his life of solitude in Alaska.  We see Alaska when Chris first arrives in all its wild majesty that is illustrated by sweeping wide-angle shots of the mountains.

What is Tracks About?

Tracks

Tracks is Robyn Davidson’s 1980 personal account in a memoir, detailing her perilous journey through 1700 miles of Australian outback and the remarkable character transformations that take place throughout.  The events of the story begin in 1973, when a young Robyn Davidson arrives in Alice Springs with an outlandish plan to train wild camels to accompany her through the Australian desert.  When, after two years of gruelling training, she receives a sponsorship from National Geographic, her journey can finally go ahead on the condition that a photographer Rick Smolan accompany her (for some parts of the trip) and document the journey in photos.  As Robyn delves deeper into the journey, each day brings new discoveries about the camels, the landscape, the people of Australia, and ultimately, herself.

What is Into the Wild About?

Into the Wild (2007 film poster).png

Into the Wild (2007) is a non-linear survival film directed by Sean Penn, which is based on Jon Krauker’s 1996 novel of the same name.  It recollects the final few months of the life of Christopher McCandless as he departs from society in both an act of resistance as well as a means of self-discovery.  A bright young college student in the 1990s, McCandless abandons his family and affluent lifestyle to embark on a frontier-style journey into the Alaskan wilderness.  Troubled by a dysfunctional family and disenchanted with the materialistic excesses of 1980s America, McCandless seeks a radical engagement with nature, in the style of his literary heroes Henry David Thoreau and Jack London. After 113 days in the wilderness, he suffers from starvation and dies.  The true story of McCandless’ journey renders the film an important depiction of self-reliance, isolation, and the unparalleled power of nature.  Penn’s film offers strong commentary regarding the materialistic, consumerist nature of modern living, whilst also ultimately emphasising the more humanistic importance of family and love.

Themes in Both Tracks and Into the Wild

Self-discovery in natureResistance to conformity & independencePersonal journey & quest
Desire for freedom & cost of true freedomIdentity, belonging & homeRejection of materialism & class
Conflict with family & traumatic childhoodSurvivalGender issues & misogyny
Relationships with animalsRelationships with humans & need to lovePerception and illusion
Itinerant lifestylesLoss and griefReconciliation & forgiveness
LonelinessPlanning & preparationIsolation
Nature is unpredictableCourage, resilience & risk takingEntrapment
Seeking happinessSeeking truthTranscendence & spiritual awakening
Dispossession of Indigenous Australians in ‘Tracks’ & racismMastering fearsStarvation & death